With a flotilla of boldfaced big-hitters hugging its sunny shores, Dubai isn’t exactly short of luxury digs. But what makes the newly opened Bulgari stand out is its location on its own seahorse-shaped manmade island, and its low-slung layout, a pleasing retort to the city’s ubiquitous canyons of skyscrapers. This is down to the group’s Milan-based architects, who anchored the hotel so it separates two bays: one an oh-so-quiet stretch of beach lined with villas; the other a super-smart marina with a sweep of restaurants and the Bulgari Yacht Club – a first for the brand. Structures are topped with layers of coral-like latticework; other marvellous textures that draw the eye include backlit green onyx, black granite and woollen Beni Ourain rugs from Morocco, picked out with covetable objects from B&B Italia and Flos. The city centre thrums on the other side of a 300-metre bridge, but with six bars and restaurants at the hotel, there really is no reason to cross it. La Spiaggia is a poolside crowd-pleaser that flips out wagyu beef burgers during the day, while in the evening, a Negroni from the oval Bulgari bar is a punchy aperitif for oysters and bottarga risotto at the neighbouring Niko Romito restaurant. The wow factor, though, is provided by the immense spa, with its ice fountains, hammam and an indoor pool – lined with a mosaic of real gold tiles, naturally – that has far-reaching views of the sea and the Dubai cityscape through floor-to-ceiling windows. The sense of contented wellbeing isn’t limited to the spa. In a land of hyperbole, this is understated perfection that thinks big. By Lauren Ho
The striking pale yellow Ocean House looks like a massive Victorian mansion. The grand hotel was originally built in 1868 and has undergone extensive renovations to maintain its stately grandeur. The No. 1 Best Hotel in Rhode Island, the property offers impressive views of the Atlantic Ocean along with New England-style accommodations outfitted with wooden furnishings and pastel decor. Ocean House offers several luxury perks and amenities, including the Mercedes-Benz driving program, an award-winning spa, a wine and culinary arts program and more. (Courtesy of Ocean House)
With this fresh city crash pad, Mexico’s Grupo Habita has, once again, demonstrated its knack for sniffing out budding star designers and promising hot spots. Taking up residence in Northwest Tower, The Robey jostles alongside artisanal coffee shops, independent boutiques, and pop-up restaurants in Chicago’s creative corner between the hipster neighborhoods of Bucktown and Wicker Park. The slender, triangular-shaped Art Deco pile slots like a slice of pie right into the junction where Milwaukee, North, and Damen avenues meet. Of the 69 rooms, the best are the corner suites, where wraparound windows shed natural light onto low-key, unfussy interiors by Belgium’s Nicolas Schuybroek and Marc Merckx. The real head-turners, though, are the collection of bars and restaurants, not least the curbside Café Robey, which hums from the first plate of eggs and hash browns in the morning to last call at night. The Lounge, on the second floor, is a wind-down joint with live music, but the Up Room, the 13th- floor rooftop bar, is the place to go for the full Chicago effect, with its sprawling cityscape views. Here, custom-made seating is interspersed with mid-century modern finds that don’t detract from the building’s original features: terrazzo flooring, brass details, and marble wall panels. Come summer, the only place to be is on the sixth-floor outdoor pool terrace, the Cabana Club, with a basil gimlet in hand. Barely two years old, The Robey has already shaped up to be a hotel heavy hitter in this heavy-hitting town. By Lauren Ho
Twenty-six years on, Ellerman House is still everybody’s fantasy bolthole in Cape Town: minutes from the best beaches and the Table Mountain cableway, but close enough to the city and its dynamic food, art and design scene. Sandwiched between Lion’s Head and the Atlantic Ocean, the Cape Edwardian mansion looks like a private residence from the road, one of many overlooking the sea in the wind-protected suburb of Bantry Bay. And that’s exactly what keeps guests coming back. The bar, restaurant and spa are exclusive to invited and resident guests, which means it’s very private and secure. Owner Paul Harris takes enormous pride in his country – his impressive collection of South African art spans original works from the turn of the last century to current contemporary art. An informal tour of the collection with one of the in-house art experts is a fascinating lesson in the country’s socio-political history. Then there are the 7,500 bottles of rare and vintage South African wines in the cellar and the indigenous plants sourced from Kirstenbosch (Cape Town’s answer to Kew) in the one-and-a-half acre terraced gardens. Besides the main house, there are two modern, minimalist private villas built into the granite mountainside, as well as a wine gallery and an excellent little spa. Checking into one of the individually decorated rooms in the house – many with local African design elements, some on the small size – feels both comfortable and comforting. As does the open-access kitchen. Walk right in, tell the chefs what you’re craving and it is whipped up in minutes. Better yet, take a snack back to your room. The post-sunset vista from the balcony has to be one of the best views of the Atlantic found anywhere on earth. By Jane Broughton
Book hotels near me acquires a new meaning all together with these available options. ‘Nearby landmarks’ is another extremely useful category in the hotels page, and shows you the nearest points of sightsee, whether it is a museum or a beach and at what distance. The penultimate tab is about hotel amenities, and gives out an extensive list of amenities in terms of services, security, parking and transportation, languages spoken by its staff and payment modes it accepts. Read up the check-in and check-out timings, the number of rooms on the property, total floors and slots in the car parking. The hotel policies and FAQs are at the bottom of the page.
'If we want things to stay as they are,' Giuseppe Tomasi di Lampedusa famously wrote, 'things will have to change.' Anyone who knows and loves The Carlyle will want things at this Upper East Side institution to stay as they are, while also understanding that a certain amount of tweaking is, alas, necessary. Designer Tony Chi, who did such a fine job at The Carlyle’s sister property, Rosewood London, is currently overhauling 80 percent of the hotel’s 190 rooms. The first of these will become available in early 2019. Renovations here have always been a fraught business, not least because, as well as being a hotel, it also contains 50 or so privately owned apartments spread across its 35 floors, making it impossible to do the whole place up all at once. Thus some rooms are florid and chintzy; some are 1920s time capsules; some are slick and steely; and still others are something in between. Broadly speaking, they get better the higher the floor. Plus, you get to spend more time in the elevators —not an activity to enjoy in everyday life, but this is not everyday life. The ones at The Carlyle are the stuff of legend, as much admired as the astounding Dorothy Draper lobby or Bemelmans Bar. Imagine if you had been there when Princess Diana, Michael Jackson, and Steve Jobs all piled in (true story). You would have been in awe. Not of them, of course, but of the real superstar – the unflappable, icy-calm, white-gloved Carlyle elevator operator. By Steve King